When Idaho Falls

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Hey There Folks,

Been longer than usual, but that's not without good reason. I've been hard at work with this Youth Outreach promo while visiting my mom in Idaho.

While I've been here I've also been writing my next film titled, "Along Together". When I looked up on IMDb to see if it was an original enough name, I discovered there are close to 10 films with the same title, which should make it somewhat difficult to find. So, for the time being, this might be just a working title because there hasn't been another "Alone Together" scheduled to come out this year or the next... Fingers crossed.

"Alone Together [Working Title]" is a tragic love story twisted within a tale of a mother's undying quest for revenge.

The screenplay is rather grim at the moment, but I like that. People I explain it to say there should be a happier ending, but I just don't think this story is meant to end well, considering the nature of everyone's work. But I can't say too much. You'll have to wait until I get some dailies online.

I'm also considering keeping a video journal throughout the production process to maybe add as a special feature for that theoretical DVD. But seeing as how this production is about to supercede the $600 budget limitations of my previous films, I'll be on the lookout for potential investors. A few of my colleagues from school have relied on kickstarter with some significant success. Who knows? I might actually get somewhere with this.

In the meantime, I'd be an idiot not to mention that I recently met Tony Gilroy who's best known for writing the Bourne films and more recently writing and directing "Michael Clayton". It was an interesting encounter. I'd given him a DVD with some of my films. He said the acting was weak in most of them. I defended my work respectfully and explained the circumstances under which everyone was working, but I don't think it made much of a difference. The one film he said he loved the most was "MEMO" which I had removed from my youtube channel because of its blatant intimacy, but it was its unfrogiving nature that Mr. Gilroy found so brilliant about the piece. I was touched, considering that of the work on my DVD it was one of the few pieces that was entirely my own writing--actually that was all it was, typos and all. He said he wanted to see more of that kind of work in my narrative films, which becomes the current challenge with "Alone Together".

I'm pretty pleased with my characters. Two intimate people who've made a living out of keeping their distance from society--from feeling. It's really something I can't wait to start casting once the schoolyear starts.

Sean Connery in "Zardoz": Dig those pants!

In other movie talks, I've been watching an eclectic selection while I've been away from home. Just last night I watched "Zardoz"... That was interesting. I remembered having watched it when I was a kid and it brought back some memories, mostly of why I hadn't seen it in so long (Sean Connery's attire, mostly).

Here's just an off the top of my head list of what I've been watching lately:
- Three Kings (David O. Russell)
- King Of New York (Abel Ferrara)
- The Bourne Identity (David Liman)
- The African Queen (John Huston)
- Good Night, And Good Luck (George Clooney)
- Catch Me If You Can (Steven Spielberg)
- The Asphault Jungle (John Huston)
- Cowboy Bebop [Sessions 1-26 & The Movie] (Shinichiro Watanabe)

Spike Spiegel from the series "Cowboy Bebop"

Cowboy Bebop is especially something that's gotten my attention this summer. Don't get no cooler than that. I really underestimated what people had told me about the series until my friend Chris Vella had shown me the pilot episode last semester. It blew me away. The writing is incredible. The animation is superb. I'd never really been a fan of anime, but this doesn't really change anything because Bebop remains in a league of its own. It's got a westernized spice to it. Something I've never seen in Japanese animation. Most other anime cartoons I'd seen that tried to play the super-cool American angle were merely aiming to immitate, whereas Bebop seeks to take off on an inspired interpretation of the Spaghetti Western, the classic Film Noir and classic Sci-Fis like Star Wars.

I'll admit, in an attempt to somewhat rip off Bebop, my brother and I, along with our friend Chris Vella, had developed a sci-fi in the same vain. It's really meant to borrow nothing more than a somewhat stylized backdrop, to allow us to take things to a live action level. While I was at school I'd considered a space pirate premise, but with lack of funds had to shelf it until I saw an opportunity. This project should develop over the next year, but for now remains something I'm doing in my off time.

Another project that's currently in production is an estranged surrealistic animated short I've been producing with help from my good friend Jordan Cash-Cooper. Can't wait to see what Jordan's been up to. Last I spoke to him, we'd finished storyboarding the sequences and I'd left him to do the animatics while I was away. Don't know whether I should be excited or worried at this point, but all the same, I know Jordan will create something pretty wonderful.

More directed towards the present, I've been in potato country for about a week now. It's spectacular out here. So beautiful. I wish I had my own camera, but unfortunately I've only been able to use an army of disposable cameras while I've been out here. I'll post some photos once they're developed.

This place is pretty rural. My mom's cabin is sandwiched between a neighboring horse ranch and a free-range chicken farm that's owned by an ex-mormon preacher named Don. He's a real character. I've spent my off time helping unpack my mom's boxes from their move here, from Arizona. I've also taken some driving lessons and picked wild raspberries that haven started cultivating behind my mom's shed. Really a vacation.

See You Space Cowboy,

John

P.S.

Best of the Summer Blockblunders:

1. Inception (incredible)

2. Toy Story 3 (tough to beat)

3. Iron Man 2 (a little lacking, but still a sold actioner)